Layering Dreams

Always Inside Your Dreams; collage, found paper 240mm (w) x 350mm (h)Last year I took part in a group exhibition called Read What You Look At, at Brunswick Street Gallery in Fitzroy, Melbourne. Funnily, I hadn’t actually planned for it, but had seen a call for applications in the newsletter I receive from the gallery and thought the theme was singularly appropriate for one stream of my fine arts practice.

I have been working on what I call my ‘random poems’ for many years – ever since I finished art college (a frighteningly long time ago) – and they have developed quite a lot over the years. Some of them are traditional hard copy collages, assembled on antique and vintage paper dating from the 1860s–1950s, and others are original digital artworks that combine collage with ink on the same paper backgrounds.

Labours With Ancient Goddess; original digital artwork; 192mm (w) x 321mm (h)Originally they were all traditional collages, but as I started working with these priceless pieces of crumbling ephemera, I was terrified of ruining or disintegrating them with real ink, so I started experimenting with digital ink. (Some viewers of the exhibition thought it was real ink, so I can plume myself on my success there!) Of course I have to scan everything in, which is a time-consuming although ultimately pleasurable process. But there is still a real charm in the haphazard and inappropriate sizing of the words in the hard copy collages, where conjunctions sometimes shout louder than nouns or adjectives.

Along the way I also started playing with the effect of turning the cut paper images a stark black and white, for more impact and as a contrast to the coloured letters, and splashes of ink.

Read the original Artist’s Statement on Layering Dreams, or view the gallery.