My Evolution in Style
As a teenager in the 80s I wore what most teenagers around me were wearing – hello Molly Ringwald, Madonna, Cyndi Lauper! I recall the first time I deliberately and consciously styled myself (borrowing from my sister Star’s wardrobe) rather than merely wearing something my mum had bought for me. That was a revelation, particularly in the reception my outfit received (an enormous white man's work shirt, light blue stirrup jeans that were printed with a white paisley pattern, and some kind of white canvas kicks).
However, it was not until I reached art college at age 18 or 19 that my true sense of style kicked in. I began to wear a lot of vintage – although I had long been shopping second hand stores already – influenced by the many thrift stores and vintage boutiques around my college. I majored in graphic design, but my wardrobe probably more closely resembled that of the painting students.
By my late twenties and my third job, my wardrobe underwent a renaissance. Suddenly I tired of vintage eclecticism. I made a 180° turn and switched to minimalism – a drastic change. I sold most of my vintage garments and accessories, and regret the loss of only a few.
My minimalist streak was influenced by Peta Wilson’s character in the 90s TV show La Femme Nikita, especially in the latter seasons. Most of her wardrobe was very minimal; sharp and edgy with interesting and unusual details, in a limited colour palette of mostly black and white with the odd burst of jewel colours. I remember buying a floppy 70s style black wool hat because it was similar to something Nikita wore; ditto white-framed sunglasses.
It was not until five to six years later that I introduced vintage into my wardrobe again, and today I wear both new and old clothes. I much prefer this mix to looking like I stepped out of a time machine or movie set.
Although I could not pinpoint my style to a particular look, I would define it as eclectic.
Although I could not pinpoint my style to a particular look, I would define it as eclectic. The most important keys are striking accessories (in particular hats, shoes and jewellery), interesting and contrasting textures, asymmetry, unusual details such as pleating or gathers, volume, bright colours and lots of stripes.
I deliberately choose to wear very little black, in favour of bold or atypical colour combinations – I particularly enjoy combinations that are unexpected or a little bit wrong, such as red and purple together. Striking colour is a trend for S/S 2013 in fact. I rarely wear prints, except perhaps in summer – for the longest time I wore them very little.
Of course all these characteristics do not merge in one outfit, but proportion and contrast is important – in shape, as well as colour and texture. Sometimes the contrast of a vintage item with something entirely minimalist and edgy is just right.
Last year I was mad for mixing as many prints together as possible, à la the Ballet Russes, although it was hard to find such items without raiding the wardrobe department at the theatre I work at. Now, if only I could afford it, I would very likely lean toward minimalism again and go shopping at labels like Akris, Calvin Klein, Balenciaga and Jil Sander, although I would probably still work in the odd bit of vintage and the less fussy designs of Miu Miu and Marni. As far as vintage goes, my favourite eras are 20s, 30s, 40s and 70s – the latter probably because it was heavily influenced by the Art Deco period itself. Balenciaga in the 1950s is awesome too. My least favourite decade for fashion is the 60s, which was not always the case – I wore a lot of 60s dresses at art school, and even wrote a paper on the era.
My biggest fashion regret? Yes there were some awful outfits, but I wish I had taken more photos when I was younger of some of the pearlers I remember. Now I regret there’s just not enough time to wear them all – perhaps it’s time to return to the days of yore when we changed several times a day! Ironically there’s not enough time for that either.