Archive
- Behind the Screens 9
- Bright Young Things 16
- Colour Palette 64
- Dress Ups 60
- Fashionisms 25
- Fashionistamatics 107
- Foreign Exchange 13
- From the Pages of… 81
- G.U.I.L.T. 10
- Little Trifles 126
- Lost and Found 89
- Odd Socks 130
- Out of the Album 39
- Red Carpet 3
- Silver Screen Style 33
- Sit Like a Lady! 29
- Spin, Flip, Click 34
- Vintage Rescue 20
- Vintage Style 157
- Wardrobe 101 148
- What I Actually Wore 163
Victorian Glory
Yesterday I was waxing lyrical about my Victorian cape – here it is in all its glory! Isn’t it amaa-aa-zing? I first saw it from the rear, on a mannequin in the window display of a Sacred Heart Mission op shop. I stared at it in amazement and disbelief. At first I thought it was a costume from a theatre perhaps, but when I enquired if I could try it on and swept it away to a changing room, I saw that it was an original piece.
It is wool, with a silk lining and fringe, and cornelli embroidery on the yoke. The label is also still intact, and reads, in gold embroidered script on a cream background: “Mesdames Niblett, Crighton & Burton”, and in smaller text, “75 New St Birmingham”. It does have a few moth bites and holes, which is not surprising considering its age, and a previous owner covered a few up with tiny lace leaves – you can see them in the second picture.
It has a lovely weight to it and a delightful swishy swing.
I am wearing it here with a vintage 1970s mauve dress and 1950s cherry casque, an outfit I wore to my niece’s wedding last year. (I actually wore it with a different cape, one of red cashmere.) On the morning I was very indecisive about which coat to wear, but the red won out as I love that colour it worn with purple. I ended up wearing this cape to the Opening Night of Oscar Wilde’s An Ideal Husband – which I thought was an ideal occasion, as the play was written in the Victorian era. I recall it was a cold night, and the cape was very warm – not to mention an extravagant indulgence to wear! It has a lovely weight to it and a delightful swishy swing.
This is the second Victorian cape that I own, the first being a shorter, hooded skating coat of red and white striped velvet, which I bought from Persephone Vintage on Etsy a few years ago. It too has a long fringe, of red and white chenille. I can’t say that I’d want to gad about in weighty Victorian gowns and their even more fearsome foundation garments, but I must say I do enjoy wearing the capes of the era, and how much more exciting than a prosaic duffel coat for example, or some other even more utilitarian coat? Life’s too short to wear a parka.
Photos: July 2018
Domestic Exchange
I haven’t posted a Foreign Exchange story for a long time, and that is sadly because I haven’t been travelling overseas for an equally long time, but this woeful tale has its beginnings in a foreign exchange swapped for another kind of exchange.
The story starts in Vietnam nearly ten years ago, where I had a kimono custom-made for me from sumptuous silk brocade. I took that robe home and wore it to death over ten years, wearing it almost every morning except on the hottest summer days.
The day eventually came when it dawned on me that the kimono was actually starting to look rather shabby. There were worn patches and frayed edges. In denial at the prospect of setting it aside, I decided to ignore this observation and kept on wearing the kimono for a while longer.
I’ve spoken before how ruthless I am about shabby shoes – once they start to look disreputable, I become relentlessly unsentimental and throw the offending shoes straight into the bin without a moment’s hesitation. This is not the case with favourite garments.
… it still hung on a hook in my bathroom where I could gaze upon it fondly and sigh reminiscently.
Eventually, I stopped wearing the kimono, but it still hung on a hook in my bathroom where I could gaze upon it fondly and sigh reminiscently.
One day in a fit of madness, I gathered my resolve and took it to my sister Blossom, who over the many years we have been sisters, has generously made and altered countless garments for me.
She – and her husband, an involved observer one afternoon as she and I examined a portion of my wardrobe that needed rescuing – both assured me that indeed the kimono was too shabby to wear any longer.
I’d had the idea that something could be made of the good pieces of fabric, and I made my revolutionary suggestion … A CUSHION!
I know, brutal – shocking even, all things considered; I did suffer some pangs for a while. But I figured if I had a cushion I would put it on my favourite armchair and lean against it every day, and thus extend the life of the kimono.
The cushion doesn’t match the rest of my interior décor at all, and my yellow gingham kimono, though cheery, is not in the slightest degree exotic, but I don’t regret the loss anymore. I actually have a large collection of vintage dressing gowns, and enjoy sometimes wearing a 60s rayon satin with a stylised floral pattern. (I don’t wear it often for my cat Mimi attacks me in rage when I do – I think because it’s too slippery in my lap for her liking – she’s very opinionated.)
Maybe I’ll go to South-East Asia again one day, and then I’ll have another one made.
Photos: June 2009, March 2018
Delicious Yellow
Let’s return to yellow for a minute. Look at this delicious lemon meringue of a 50s dress that lamentably did not fit me across the shoulders. What a colour! I was drooling over it, and the lustrous embroidered satin fabric. What a crying shame it was too small!
But you can see peeping out from behind the 40s lemon yellow (more acidic than the lemon curd inside a meringue, of course) evening dress I modelled recently. So all was not lost – I scored one yellow dress that day, and a 60s sequin top, the corner of which you can see in the bottom left, as well as a pale yellow cotton ribbed cardigan in another thrift store. It was a yellow bonanza that day!
Photos: August 2018
What I Actually Wore #0142
Serial #: 0142
Date: 28/08/2013
Weather: 22.5°C / 72.5°F
Time Allowed: 10 minutes
Argh! My favourite raspberry red shoes! I am delighted to say that I still have these and wear them as often as possible, although their toe tips have been repaired once already, and are starting to look hacked again. This is one pair of shoes I wish I had bought two of! In fact, I once saw another pair in a thrift store at a very good price, barely worn, but lamentably they were one or two sizes too big.
In fact, I still own all these items but the socks, which have worn out, although the 50s cardigan is in storage somewhere and I had forgotten about it what with the plethora of winter cardigans I own. I do like it though! It has always reminded me of Wedgwood. According to my notes, apparently I had bought this in a vintage boutique in Belgrave, a township at the foot of the Dandenong Ranges outside Melbourne. However, I have absolutely no recollection of the purchase.
The linen/rayon skirt I do remember buying, in a Salvos thrift store, and I was particularly pleased at the time because I had a virtually identical vintage 40s wool knit skirt in my Etsy wishlist that was much more expensive. Mine I think is 1960s or 70s going by the design of the label. The plain grey t-shirt under the cardigan was from Kookaï, and was a good basic until it wore out.
My hat is vintage 50s, and I bought that years ago on Etsy when I was on a headband shopping kick. The feathers are shaped to look like a bird perched on the head, a charming notion. The jewellery is a mixed bag, with a chalcedony pendant bought from jewellery store Portobello Lane, and my charm necklace – the charms are collected from many places. The earrings are also chalcedony, and I made them myself, while the turquoise ring is a souvenir from Barcelona.
For this sunny springlike day, I put this outfit together purely based on a monochromatic colour scheme, although I added the raspberry pops in the accessories. At the time, the skirt was new to me (ergo, it had to be worn), but funnily, even this year I have been wearing variations of this outfit, using the skirt as a base. Robin’s egg blue is one of my favourite colours, so when you’re onto a good thing – stick to it I say!
Items:
Tee: Kookaï
Cardigan: vintage 1950s
Skirt: La Gonda, vintage 60s
Socks: ASOS
Headband: Jospeh Horne Co, vintage 50s
Necklaces: Portobello Lane, souvenir/vintage
Ring: souvenir
Watch: Kenneth Cole
Shoes: Wittner
Photos: October 2013
The Golden Boots I Didn’t Know I Needed
A few months ago I waltzed into one of my regular op shop haunts and no sooner than my eyes fell upon a pair of golden boots in the glass cabinet at the front of the store, where all the best treasures are usually kept, I was instantly seized with that well-known phenomenon: shoe lust. I adore Asian embroidery, in any form, and I immediately enquired about them.
One of the staff said, “I was just about the photograph those for our Facebook page!” I generously suggested she still could, but she laughed and shook her head. She must have divined that I fully intended to purchase them, for they were exactly what I was looking for. (That was the shoe lust talking.)
… I was instantly seized with that well-known phenomenon: shoe lust
She had told me the size, and although they were actually a size bigger than I would normally wear, I knew fabric shoes were often an iffy prospect, especially stiff satin. These were barely worn, and sure enough, they were a little loose though not so stiff after all, and with socks I decided they would be fine. The brand is Sofree, which seems to originate from Asia, possibly Korea, although I can’t find much on them googling.
The first time I wore them I chose a day I was sure it would not rain, and pranced out into the sunshine with them. Not five minutes after I left my house, a passing cyclist exclaimed in delight at the sight of them. Validation!
Some shoes you just have to have, even if you don’t need them.
Photo: This week