Scarier than Darth Vader
I have never read Kipling’s The Jungle Book. Like many though, I have seen the Disney animation. It was one of the first films I saw; reading a little about the synopsis makes me realise I retain absolutely no memories of it. What I do remember is being very cross because my sister made me go and see that instead of the original Star Wars with her and my cousins, citing that I was too young for violent science-fiction. (I was even crosser when I saw a boy about my age exit the cinema, having seen it and clearly suffering no ill effects.) But however childish I thought it was, I am sure I must have enjoyed The Jungle Book.
I am amused to compare some stills from the film with the cover art of this nineteenth century publication. That tiger looks scarier than Darth Vader. Compare its animated counterpart:
Cuddly, right?
I think I need to take a trip down memory lane and rewatch some of these childhood perennials.
This may be the last calendar picture I share for a while, as I recently found a vintage perpetual calendar in a thrift store, and plan to try using that next year. I rarely write on the actual wall calendar, using my phone diary as a planner, so it seems a little pointless to have one, apart from enjoying the pretty pictures every time I turn a month over. I expect I will often forget to move the paper cogs on the perpetual calendar however, but we shall see.
Happy December!
Rice Flour
Belated October greetings: hello! This month’s calendar picture features a little girl with her feline companion. Reis-mehl translates from the German to ‘rice flour’, so perhaps she is enjoying a rice pudding? Who can say, but it must be good since she has rosy cheeks. I like her Mary-Janes too.
Here in Melbourne spring-proper has finally burst into bloom, which, since the spring equinox was on 23 September, is not surprising, but it is exciting! Today is forecast to be a particularly glorious 26°C, and lunch al fresco has certainly given me rosy cheeks.
Happy October!
Alice’s Adventures on Film
One of my favourite childhood books was Lewis Carroll’s Alice in Wonderland. So I was very much looking forward to seeing the Wonderland exhibition at the Australian Centre of the Moving Image (ACMI), which explores the many adventures of Carroll’s famous story on film.
Beginning with the Hallway of Doors (enter by the smallest door, no matter how old you are), is a series of fantastical rooms, with names such as ‘The Pool of Tears’, ‘Looking Glass House’ and ‘A Mad Tea Party’. On show is charming footage from the late nineteenth century to the multitude of iterations produced in the century since, as well as a plethora of other material such as Charles Dodgson’s original concept drawings, magic lantern projections, vintage posters, animation cels, puppets, props and costumes.
The exhibition is immersive from the get go. On entrance, each attendee is given an ‘enchanted Lost Map of Wonderland’ that unlocks additional surprises with the aid of digital scanners in different rooms of the exhibition – if you could get past the kids hovering over the scanners.
There are also several video installations, and my favourite was at the end, a montage of footage from film, television and advertising showcasing how the story of Alice has entered and utterly saturated popular culture to the present day. I could not help picturing how astonished and gratified Dodgson would be if he could see how far in time and space his story has reached.
If you are in Melbourne, the exhibition is running at ACMI every day of the week until 7 October, and is a must-see.
Killer Diller
When I was a young teen I went through a short period of enjoying reading the adventures of The Phantom. Those comics were probably my last foray into graphic novels, but apart from the adventuring itself, the vintage forties illustrations were particularly appealing.
On the weekend I picked up a reproduction comic of The Phantom Versus “the Spy Ring” in an op shop for $1, and had fun reading it late yesterday evening. While this story came to a satisfactory conclusion, I had forgotten that these were serial! Damn. Now I’ll always wonder if the Phantom ever ran the spy chief Baron to ground.
I was glad however that his fiancé Diana featured prominently in this story, for I enjoyed her 1940s fashions, especially this beach pyjamas ensemble complete with headscarf and high heels that she wore on the dastardly Baron Danton’s yacht.
I have always hankered for a pair of beach pyjamas, but feel stymied not only by their rarity and expense, but the lamentable fact that any vintage jumpsuit I have tried on has proven to be too short in the body for me. You can see it a bit better in this detailed scan below.
In 40s parlance, aren’t they just killer diller*?
* That would be amazing.
A Match Made in Wonderland
While I am not a big fan of Salvador Dalí’s work, I must admit that pairing him with Lewis Carroll’s Alice’s Adventures in Wonderland (a childhood favourite of mine) was a stroke of brilliance. An editor at Random House commissioned the artist to illustrate an exclusive edition of the book in the 1960s, with all copies signed by the artist.
The book celebrated its 150th anniversary two years ago, and this edition was was published for the public by Princeton University Press. Currently in Melbourne, the Australian Centre of the Moving Image is presenting a world premiere exhibition celebrating the tale as it has appeared on film, so I’m keeping my fingers crossed that this book might be amongst the merchandise on sale.
Here is the phantasmagorical result of Dalí’s reimaginings of the famous tale. Read more here.