Archive
- Behind the Screens 9
- Bright Young Things 16
- Colour Palette 64
- Dress Ups 60
- Fashionisms 25
- Fashionistamatics 107
- Foreign Exchange 13
- From the Pages of… 81
- G.U.I.L.T. 10
- Little Trifles 126
- Lost and Found 89
- Odd Socks 130
- Out of the Album 39
- Red Carpet 3
- Silver Screen Style 33
- Sit Like a Lady! 29
- Spin, Flip, Click 34
- Vintage Rescue 20
- Vintage Style 157
- Wardrobe 101 148
- What I Actually Wore 163
My Dad’s the Good-Looking One
I stole this photo out of the family album. It was taken in 1952 when my dad was 23, and is my favourite photo of him; it’s hanging on my wall in a nice little frame made from reclaimed timber. I suppose it was a little cheeky of me to appropriate the photo, as I do have three older sisters who might be supposed to also have a claim to it. (In my defense, I did have three copies made for them.)
My dad’s the good-looking one with the smiling eyes and cheeky smile. My mum once told me she fell in love with him at first sight, and really, who could blame her? He’s in his eighties now and still has that irrepressible twinkle in his eyes. I wonder why he and his friend are wearing matching shirts though?
It was lovely to spend Father’s Day with the family today, celebrating with four awesome dads. Even Melbourne got into the spirit of things, with a beautiful day for the first of spring.
I love you dad, and happy Father’s Day to all you dads out there!
My Evolution in Style
As a teenager in the 80s I wore what most teenagers around me were wearing – hello Molly Ringwald, Madonna, Cyndi Lauper! I recall the first time I deliberately and consciously styled myself (borrowing from my sister Star’s wardrobe) rather than merely wearing something my mum had bought for me. That was a revelation, particularly in the reception my outfit received (an enormous white man's work shirt, light blue stirrup jeans that were printed with a white paisley pattern, and some kind of white canvas kicks).
However, it was not until I reached art college at age 18 or 19 that my true sense of style kicked in. I began to wear a lot of vintage – although I had long been shopping second hand stores already – influenced by the many thrift stores and vintage boutiques around my college. I majored in graphic design, but my wardrobe probably more closely resembled that of the painting students.
By my late twenties and my third job, my wardrobe underwent a renaissance. Suddenly I tired of vintage eclecticism. I made a 180° turn and switched to minimalism – a drastic change. I sold most of my vintage garments and accessories, and regret the loss of only a few.
My minimalist streak was influenced by Peta Wilson’s character in the 90s TV show La Femme Nikita, especially in the latter seasons. Most of her wardrobe was very minimal; sharp and edgy with interesting and unusual details, in a limited colour palette of mostly black and white with the odd burst of jewel colours. I remember buying a floppy 70s style black wool hat because it was similar to something Nikita wore; ditto white-framed sunglasses.
It was not until five to six years later that I introduced vintage into my wardrobe again, and today I wear both new and old clothes. I much prefer this mix to looking like I stepped out of a time machine or movie set.
Although I could not pinpoint my style to a particular look, I would define it as eclectic.
Although I could not pinpoint my style to a particular look, I would define it as eclectic. The most important keys are striking accessories (in particular hats, shoes and jewellery), interesting and contrasting textures, asymmetry, unusual details such as pleating or gathers, volume, bright colours and lots of stripes.
I deliberately choose to wear very little black, in favour of bold or atypical colour combinations – I particularly enjoy combinations that are unexpected or a little bit wrong, such as red and purple together. Striking colour is a trend for S/S 2013 in fact. I rarely wear prints, except perhaps in summer – for the longest time I wore them very little.
Of course all these characteristics do not merge in one outfit, but proportion and contrast is important – in shape, as well as colour and texture. Sometimes the contrast of a vintage item with something entirely minimalist and edgy is just right.
Last year I was mad for mixing as many prints together as possible, à la the Ballet Russes, although it was hard to find such items without raiding the wardrobe department at the theatre I work at. Now, if only I could afford it, I would very likely lean toward minimalism again and go shopping at labels like Akris, Calvin Klein, Balenciaga and Jil Sander, although I would probably still work in the odd bit of vintage and the less fussy designs of Miu Miu and Marni. As far as vintage goes, my favourite eras are 20s, 30s, 40s and 70s – the latter probably because it was heavily influenced by the Art Deco period itself. Balenciaga in the 1950s is awesome too. My least favourite decade for fashion is the 60s, which was not always the case – I wore a lot of 60s dresses at art school, and even wrote a paper on the era.
My biggest fashion regret? Yes there were some awful outfits, but I wish I had taken more photos when I was younger of some of the pearlers I remember. Now I regret there’s just not enough time to wear them all – perhaps it’s time to return to the days of yore when we changed several times a day! Ironically there’s not enough time for that either.
On the Carousel
After writing the story about the carousel horse necklace, I remembered this series of photos of a family trip to the zoo. I think I must be under five, judging by the tomboyish hairstyle (which was not of my choosing), but how cute do I look with it anyway? And how light my hair is!
One of my aunts was responsible for that haircut. I recall being furious once when mistaken for a boy by a lifeguard at a local swimming pool. He called out, ‘No running, little boy!’ and indignant, I yelled back, ‘I’m not a boy!’ Granted, I sported this hairstyle and I was running around in only bikini briefs … whoops. I don’t know what my sisters were thinking, letting me do that. (No pictures exist of this incident, fortunately.) Although possibly my memory might be faulty – I might have also been wearing a t-shirt. I hope …
On this zoo outing I am wearing a grey and yellow Amigos t-shirt and mushroom-coloured shorts, with blue thongs or flip-flops. Rather unusual colours for children’s clothing, but perhaps this is the genesis of my liking for such subtle shades. I seem to be holding a soft-serve ice cream in my hand, and the bemused expression on my face makes me giggle.
My mum, sister Star in chinos and blue tee, and cousin Mimi in dark jeans and what looks like a paisley shirt also feature in this series, as well as a pair of headless emus. Star and Mimi are both wearing Roman-style sandals. I was considered too little to go on the faster merry-go-round, and recall feeling envious of them. They look like they are astride greyhounds (or are they wild boars?), and I must say, if more sedate, at least my carousel horse is much more aesthetically appealing.
Seventies Prints
Hello 1970s Australiana. How this picture makes me chuckle! I am here posing for a family portrait with my three big sisters. We are on a family outing, possibly in Emerald, a township in the Dandenong Mountains east of Melbourne.
My sister Blossom, the eldest, looks to be wearing maroon cords with a white blouse (I love her proprietary big sister pose, stern but benevolent); Serena is in a black embroidered peasant blouse matched with a navy, yellow and white maxi skirt (how I wish these were stored in the family attic somewhere … and, is she holding me back from bolting?); Star is in a purple cord mini and what I think is a print shirt.
And cute li’l me, sporting a long bob, was dressed in a plaid dress (possibly cotton flannel) and white Roman sandals. I am sure I had that same dress in two colourways, and I don’t think I particularly liked it. Funnily, I’ve been looking for a taffeta plaid dress recently – Australian label Cue did some great 50s style dresses a season or two ago, and I’ve been trying to find one on eBay … What goes round, comes round, as ever.
A Little Red Patent Bag
My sister Star walks proudly in front of her family, swinging her little red patent bag. It is her very first bag and she feels very important carrying it. Behind her walk our big sisters Blossom and Serena, our aunt with mum, and dad on the right. Our uncle is taking the photograph. What is dad carrying? Too small for a briefcase, perhaps it is a radio, that vintage one that used to sit in the kitchen of the family home and play the news and the easy-listening tunes of Melbourne’s 3AK.
It is the late 60s, shortly after my family immigrated to Australia from Yugoslavia. The family is walking along Princes Bridge, across the Yarra River. Possibly they had caught a train into the city and were going to visit the Botanic Gardens, for there is also a series of black and white photographs in the gardens.
There is something about red bags and shoes too, especially patent ones: they’re special.
A quick late-night phone interview with Star a few minutes ago elicits her to croon, “Oh, I loved that bag!” She doesn’t remember what happened to it. Star still loves red bags, and is always on the lookout for a vintage one in charity stores, but rarely comes across them. “Perhaps people hold onto them!” she suggests.
I don’t know if years later she instilled a love of red bags in me, but I also adore them – they always catch my eye. There is something about red bags and shoes too, especially patent ones: they’re special. No wonder Star felt important carrying hers on that long-ago bright autumn day.